Recent Blog Posts

Making of a documentary short

My short documentary video, Farm Time, premiered in June of 2017 at the New Haven Documentary Film Festival. Being juried into a film festival tells me that a given video is in fact good, since succeeds in the eyes of others who get paid to look at lots of films. I am often asked what is the process that I undertake as I make the kind of short documentary videos that I like to make (and that I appear to be good at if you believe the numerous film festivals which have selected my work for screening.) With the idea of explaining the process, I offer this blog entry.

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One photographer’s perspective on the election and American exceptionalism

I get it. I am a 59 year-old, white male. I work in a field that once provided me with a very good living, a field that has been decimated by changing technology and globalization. The work that I used to get paid good money to create is now done by people overseas, or by others in America, who get paid much less than I ever would accept, or by machines. But I am still troubled by the recent election result because American workers, like me, have been displaced by changes in the economy and labor market for decades if not centuries. Adaptability to change is a hallmark of what has been dubbed “American exceptionalism”. So what changed in this election? Read More

Ways not to ruin your photography workshop experience

I love teaching photography workshops. I get to help others improve their photography. I get to see the world through their eyes. I get to see new and interesting ways to see and photograph the world. I get to go all sorts of interesting places. I even get paid to do all that. Along the way though, I see people make the same mistakes over and over which ruin their workshop experience. Read More

Situational awareness is the key to better photography

I teach workshops overseas and domestically. I photograph overseas and domestically. In both cases there is one skill that I practice over and over that makes a huge difference when I photograph. It is the one thing that every photographer should master, whether or not they are attending one of my workshop (or anyone else’s.) Read More

My particular choices for video gear

I am on my way to mastering video as a way of visually telling stories. A student asked about the gear I have chosen to use during that evolution. That question prompted the following answers, which became another blog entry. Keep in mind that MY answers to these questions are unique to my process. Every videographer / photographer solves their problems differently.  With that in mind…. Read More

Crowd-sourcing your editing

Every photographer knows how hard it can be to edit a large set of images down to a select few. Every photographer also knows how that process is key to strengthening any photo-project. The way that I handle this same challenge is that I now often crowd-sourcing my editing. Read More

Road Warrior 102 for the photographer (part two of two)

In the first of this two-part blog posting, I wrote about all the non-gear related things that make my life easier as a photographic road warrior. In this posting I will talk about the gear related technologies that do the same thing for me. On my educational web-site, The Wells Point, I have a podcast showing all of the contents of my traveling camera bag. It is now slightly out of date, since I recently switched to the smaller Olympus Pen cameras, from the larger DSLRs. But the gear that I take with me (besides my cameras and lenses) has not changed at all. You can see exactly what that includes here. The logic behind switching to the smaller Olympus Pen cameras was the subject of a recent blog entry. Read More

Road Warrior 101 for the photographer (part one of two)

I have been making photographs seriously since 1972, when I fell in love with photography during an intro to photography class in high school. I have been taking pictures for money since 1980, when I graduated from college after studying the history of photography. I have been traveling around the globe to make photographs (and to teach classes) since 1986. In all that time, I have used hundreds of different cameras. Along the way, I have picked up a few things that have become constants in my tool kit as a photographer. They are part of my process, regardless of where I go, who I am working for, or what gear I am working with. Read More