I have been making photographs seriously since 1972, when I fell in love with photography during an intro to photography class in high school. I have been taking pictures for money since 1980, when I graduated from college after studying the history of photography. I have been traveling around the globe to make photographs (and to teach classes) since 1986. In all that time, I have used hundreds of different cameras. Along the way, I have picked up a few things that have become constants in my tool kit as a photographer. They are part of my process, regardless of where I go, who I am working for, or what gear I am working with. Read More
Haridwar is an ancient city in India. The River Ganges, after flowing for 253 kilometers (157 miles) from its source, enters the Plains of North India for the first time at Haridwar, which gave the city its ancient name, Gangadwára. Haridwar is regarded as one of the seven holiest places to Hindus. Read More
The very best way to improve as a photographer does not involve any particular piece of gear or course of study, nor does it involve apprenticing yourself to a master photographer. Impoverishing yourself by working on nothing but photography as something of a photographic “monk” will not do it, either. While all of these things may improve your photography, the best way is much simpler, yet for many photographers it seems much harder. Read More
“You get only one chance to make a first impression.” This adage rang through my head as I walked through a sea of photographers with work on view at the 2014 Society for Photographic Education (SPE) portfolio walk. These increasingly popular events are often held over a two- to three-hour window during a photography festival or conference. They tend to be casual and are usually open to the general public for free, in contrast with the more structured (and fee-based) portfolio review. As an informal event, a portfolio walk is more in line with introductory networking opportunities than as a venue for print sales. Here are a few lessons I noted last year, as well as helpful tips from eight of the SPE student scholarship recipients I corresponded with to research this story. Read More
Photography requires gear. Duh. That’s a given. Yet, the most important tool any photographer has is their mind, their eye, their humanity and their adaptability. Those are priceless, both in the fact that you can’t buy them and the fact that they are what will help you make exceptional photographs whenever you travel. Before you leave for any other culture, smart photographers prepare by reading up on cultural concerns they may encounter on the road. Read More
Photographers love gear. I love gear. But, in the end, my gear does ONE thing. It solves my problem(s.) Usually that problem involves getting something in front of the camera recorded for a publication, exhibition or web-site. The gear I use is constantly changing. Every couple years I create a new podcast to show what I NOW carry with me when working. This record of my gear is accurate for late summer of 2014. In a year or two it will be outdated, as will my cameras and I will have to do this all over again. Read More
I was asked to be the juror for a photography competition on the theme of Far Away Places. As I reviewed the work, I tried to keep in mind the summary of the call for entries: From the far corners of your backyard to the far away country it takes weeks to traverse to, we want to see where you end up when you go “far away”. As I was editing, I was thinking how could I explain to those photographers who did not make the cut, why that had happened? So I kept notes as I went, which make up this blog entry, one that ideally would serve as the answer to those photographers who did not make the final cut.