I recently had the privilege of jurying the work for Car Culture competition for the PhotoPlace Gallery in Vermont. It was real education, both in terms of photography and learning about the global world of cars. As a photo-educator, I look at moments like this as “teaching moments” and so I wrote this blog entry about the jurying process. (As I also wrote the “juror’s statement that will accompany the final exhibition of prints that will opens at the PhotoPlace Gallery today, November 8th.) Read More
In August of 2012, I traveled across the Indian state of Gujarat. As I went I gathered video clips, which I made into this short, four minute travelogue. Read More
Ok, so there were 18,000 other people besides me and Jackson Browne on July 4th at the Shed, in Tanglewood, Massachusetts (the summer home of the Boston Symphony Orchestra.) I was not even have seated particularly close to the stage. But I have been listening to (and following) the work of the California singer-songwriter for a long time. As I listened to him play and thought about the shows I have seen over the years, I note some similarities in our careers and our creative processes. Read More
In March of 2013, I traveled across Northern India leading a photo workshop. As I went I gathered video clips, which I made into this short, three minute travelogue.
I spent the first two weeks of June teaching a photo-essay class to university students in Finland. When I started the class, I was worried if it would go well. I have a hard time working with college students, since most of them don’t want to speak out in class, out of fear of “sticking out from the crowd.” Since those same students were Finnish, a notoriously shy people, it had all the makings of a train wreck. I am thrilled to say it turned out much better than I expected. Read More
I am just back from Singapore, having spent three weeks there on my annual visit, teaching and photographing. Every year, I teach a couple sections of my favorite class, Light, Shadow Night and Twilight. And every year, at least half the class starts out complaining about how there is no dramatic light in Singapore. Because Singapore is almost on the equator and has pretty high humidity, there is no question the light certainly is different. This year, I paid a lot of attention to that light and especially to how I dealt with its peculiarities, for another in my blog entry in my Connoisseur of Light series. Read More
This week’s blog entry is a cross posting of a blog that was the result of an interview I did with photographer and marketing expert Cindy A. Stephens for the Boston Photography Focus blog, which is sponsored by the Photographic Resource Center at Boston University. The blog was posted on February 13th, 2013 and was titled: “How to Build Awareness for Your Work.” Below is the full text (the interview and the blog that was built around the interview.) Read More
Why is it that so many photographers aspire to be painters (or at least want their work to look like paintings?) I never understood that since I never wanted to emulate painters. I always wanted my photographs to have the presumed veracity that we attribute to photographs. The fact that they are derived from reality is what makes them photographs. Over the decades that I have worked as a photographer (and the decades I have been hearing photographers long to be like painters) I have tried to come up with another creative persona for photographers to emulate, rather than painters. Read More