Photography requires gear. Duh. That’s a given. Yet, the most important tool any photographer has is their mind, their eye, their humanity and their adaptability. Those are priceless, both in the fact that you can’t buy them and the fact that they are what will help you make exceptional photographs whenever you travel. Before you leave for any other culture, smart photographers prepare by reading up on cultural concerns they may encounter on the road. Read More
Among the classes that I taught while I was recently in Singapore, at the behest of Objectifs – Centre for Photography and Filmmaking, was a class on street photography. At the first meeting, I scanned the room like I always do. I saw Singaporeans of all ethnicities, a few Europeans and two people from India. What I did not see among the many eager faces were any men. The class went really well with only women and it set me to thinking about how, I could argue, the future of photography is women. Read More
I was reading the New York Times recently and encountered an article, with photos, that really struck a chord with me. The article was interesting but the photos were unexceptional. It took me a while to figure out why I was so moved, but once I did, it also lead me to think about the power and the limitations of still photographs. I am not sure that still photography (or today’s multi-media) can ever fully get past those limitations. But the more I understand the question, the better equipped I will be to at least try to address it.