I love teaching photography workshops. I get to help others improve their photography. I get to see the world through their eyes. I get to see new and interesting ways to see and photograph the world. I get to go all sorts of interesting places. I even get paid to do all that. Along the way though, I see people make the same mistakes over and over which ruin their workshop experience. Read More
I was asked to be the juror for a photography competition on the theme of Far Away Places. As I reviewed the work, I tried to keep in mind the summary of the call for entries: From the far corners of your backyard to the far away country it takes weeks to traverse to, we want to see where you end up when you go “far away”. As I was editing, I was thinking how could I explain to those photographers who did not make the cut, why that had happened? So I kept notes as I went, which make up this blog entry, one that ideally would serve as the answer to those photographers who did not make the final cut.
I started riding motorcycles before I even took up photography, way back in 1972. Both riding and photographing require a lot of practice to achieve mastery. Both pursuits can be rewarding (or frustrating) as that expertise develops (or fails to.) Both involve complex technology with numerous opportunities to spend more and more money. Both are frequently enjoyed outside. Both involve disciplined vision and constant awareness of your surrounding environment. Thankfully, in only one pursuit can a mistake result in injury or even worse—death. While I was riding recently, I was reminded of what is arguably the most important similarity between the two, at least in the eyes of a photographer. Read More
Old projects seem to have an odd way of circling back to haunt you. Sometimes that is economically, other times stylistically. An old project is back in mind right now which has prompted me to reconsider how, sixteen years ago I started an informal collaboration with two other photographers, using a primitive imaging technology called “film.” Almost two decades later, that project is coming to fruition, which prompted me to look back on one of if not the last projects that I worked on using film. Read More
I have been taking photographs for almost four decades—mostly for money and always for myself. Over those forty years, I have slowly figured out what I wanted to ask the many photographers I encountered along the way. I have distilled this down to a list of questions that I would ask any photographer, knowing that the answers will help any photographer. Read More
A friend recently attended a portfolio review event for photographers. In reporting back on her experience, two things were very apparent. First, her work was very well received, which was a “pleasant surprise” to her. While the reviewers varied in terms of exactly which images they were drawn to, there was near unanimous agreement about one problem with her presentation, which is what I am going to build this week’s blog entry around, a lesson every photographer should heed. Read More
When I was younger, I envisioned the end of the business as a nightmarish world where editors would seem to be working inside my head, through some futuristic technology, telling me where to stand and when to push the button. My great fear was having the imaginary editor see what I was looking at through my camera, telling me (through a seemingly permanent earpiece) what to include or exclude and when to click. When that day arrived, I said that I was sure I would quit the business. The onslaught of live television broadcasting, as it overwhelmed the still image, only exacerbated my worst fear. At first I thought digital imaging would be the technology to drive the last nails into the coffin. A recent informal experiment proved that, at least for me, the future is not so grim and I actually have digital imaging to thank for a bit of new optimism. Read More