Photographers love gear. I love gear. But, in the end, my gear does ONE thing. It solves my problem(s.) Usually that problem involves getting something in front of the camera recorded for a publication, exhibition or web-site. The gear I use is constantly changing. Every couple years I create a new podcast to show what I NOW carry with me when working. This record of my gear is accurate for late summer of 2014. In a year or two it will be outdated, as will my cameras and I will have to do this all over again. Read More
I was asked to be the juror for a photography competition on the theme of Far Away Places. As I reviewed the work, I tried to keep in mind the summary of the call for entries: From the far corners of your backyard to the far away country it takes weeks to traverse to, we want to see where you end up when you go “far away”. As I was editing, I was thinking how could I explain to those photographers who did not make the cut, why that had happened? So I kept notes as I went, which make up this blog entry, one that ideally would serve as the answer to those photographers who did not make the final cut.
I was flattered to be interviewed recently by a writer for the Washington Post for an article on “Travel Selfies.” For those of us of a certain age, who need a translation, that mean self-portraits made while traveling. These photos. at their best, both the traveler and the destination they traveled to. The conversation I had with the writer was fascinating and I took it as an opportunity to turn some time well spent into a blog entry. Read More
I started riding motorcycles before I even took up photography, way back in 1972. Both riding and photographing require a lot of practice to achieve mastery. Both pursuits can be rewarding (or frustrating) as that expertise develops (or fails to.) Both involve complex technology with numerous opportunities to spend more and more money. Both are frequently enjoyed outside. Both involve disciplined vision and constant awareness of your surrounding environment. Thankfully, in only one pursuit can a mistake result in injury or even worse—death. While I was riding recently, I was reminded of what is arguably the most important similarity between the two, at least in the eyes of a photographer. Read More
I recently sat down with David Brommer, the force behind the Real Exposures interview series, to discuss what Brommer describes as my “visually striking and highly moving photo-essays for magazines and non-profit organizations, including a project on the pesticide poisoning of California farm workers that was nominated for a Pulitzer Prize.” We also discussed my more recent photo-essay depicting homes that people had left behind during the recent foreclosure crisis. Read More
Old projects seem to have an odd way of circling back to haunt you. Sometimes that is economically, other times stylistically. An old project is back in mind right now which has prompted me to reconsider how, sixteen years ago I started an informal collaboration with two other photographers, using a primitive imaging technology called “film.” Almost two decades later, that project is coming to fruition, which prompted me to look back on one of if not the last projects that I worked on using film. Read More
I recently gave a class on personal projects and the photo-essay that was recorded and broadcast over the web by CreativeLive. Photo essays are compelling, dynamic, vivid mission statements of a photographer’s work — every photographer should have a working knowledge of this narrative art form. You can get a sample of the class by watching this preview segment. Read More
I spent the last few days of May and the first few days of June in Brazil. I was NOT there for the World Cup. In fact, I tried very hard to be out of that country before the start of the big event, to avoid the crowds and the connected chaos. This blog entry (and the next one) will explore my experiences in the biggest country in South America. Read More