Category: General
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Video software that works for me
Digital imaging software programs, like the cameras I use, solve a given set of problems. Nothing more, nothing less. Lightroom, for example, is one of many options for software to turn RAW files from my camera into TFF or JPGs for my paying clients to use. In video, there are similarly a myriad of choices.
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Why would anyone do stock photography
In the last couple weeks, my nephew and a long time student both asked me if they would be wise to start producing stock imagery to be licensed through agencies or photo libraries. Though reusing existing imagery is a part of my business, I worked pretty hard to discourage them. In the process, walked them
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Why listen to me?
I write a lot of blog entries, teach a lot of classes and give many presentations. Those are NOT why you should listen to me when I write something or say something. You should listen to me because you think I know what I am talking about. The question is how do you know that
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The hidden scandal in photojournalism’s award season
The award season for photojournalism is upon us, like the Oscars or the Grammies. Unlike in the cases of those televised awards, the commentary will not likely focus on who attended which awards ceremony with who as their date. Nor will their be much commentary on the costumes worn, since nearly all the competitors will
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Another round of morality vs greatness
At this moment, part of our collective cultural discussion is focused once again on the question, “should the personal life of a creative person impact how we judge their work?” Over time, the moral failings of certain creative geniuses have been viewed according to a different moral code. This is not a new question by
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What I hate about online camera reviews
I rarely look at online camera reviews, unless I am trying to answer a very, very detailed question about a specific setting, button or control an a given camera. While some of the reviews can be useful, a lot of them are garbage. I am still trying to figure out who to blame, the reviewers
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What I love about handmade photographs
I am a professional photographer making images that are used in publications and as stock photography, so that 99% of my work is used in print and/or on-line. Virtually none of my work is likely to end up as some kind of handmade photograph….. Yet, I am also a perennial student of the history of
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Road trip road tips
My daughter is setting off on her semester abroad in college. She chose not to go on a college-sponsored program in some sunny and warm spot, where she might be surrounded by other American college students. Instead, she chose to enroll in a university in the chilly, damp and often gloomy U.K., to follow her
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Clearly crossing a fuzzy line
Last week I blogged about intellectual property in general and the theft of photographs in particular. The line between the borrowing of ideas and concepts, verses actual stealing of intellectual property can occasionally be fuzzy. But the thefts I was writing about were clearly over that line. In writing that blog, I was prompted to
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I was wrong but they are even more wrong
Throughout my career as a commercial photographer, I have had a fairly consistent attitude about copyright theft (and its impact on my imagery.) This was based on my world-view of the photography market and my ability to realistically respond/control that. A recent experience has shown me that my attitude was, to put it bluntly, wrong.