Tag: aesthetics
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The best the world of photography books has to offer
Spring brings with it the awards season, be they the Oscars or Pulitzers. Never having been nominated for (or a viable candidate for) an Oscar, I don’t follow it all that closely. Having been nominated for a Pulitzer once (by the Philadelphia Inquirer) I have a bit more of a stake in that game. The
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A blessing and a curse
I have been putting a lot of time lately into my project photographing inside homes after the foreclosure and before the houses are cleaned up and resold. That moment is when I see what I think of the “ghosts” of the people who used to live in those homes. The work has been very well
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An evening with Jackson Browne
I attended a Jackson Browne concert in Hanford, California last weekend. I have loved his music since I was introduced to it in high school. I have followed his career and music over the years, attending concerts along the way, when I could afford it and when our paths crossed. The Hanford concert was in
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Summertime snippets
I am just settling into place in India, where I will be for much of the next six weeks. I am here partly because my daughter is volunteering at a school working with under-served children in Bangalore, India. I am also here because it is a great place to photograph (and spend part of the
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Critics and controversy
There is a new exhibition of the work of Henri Cartier-Bresson at New York City’s Museum of Modern Art. I look forward to seeing it in person in the near future. I have long been a fan of Cartier-Bresson’s work. His was some of the first important work I saw when I was studying the
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Expanding thoughts on the question is photography art?
While en route to Guangzhou, China, we spent a few fascinating days in Hong Kong. A series of events got me thinking about the old “is photography art?” question. I am not sure that such a question is ever really likely to be fully “settled.” Based on what I saw and did while in Hong
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Adapting to new technology verses adopting a new philosophy
As commercial photographers, we are continually adapting to new technologies, moving from black and white, to color (then to slides) and now to digital. Similarly we are often expected to adopt new strategies and philosophies as the market we work within changes. More and more folks I hear from are finding that second process of