In last week’s blog entry I parsed an e-mail from a “soon-to-be graduate” The two questions that he raised were: “…what are your favorite aspects of your work” and “…how someone could break into a field like this.” I suggested the real question to ask and answer was “…what are your least favorite aspects of your work.” I answered that question last week so now I can turn to the “…how someone could break into a field like this.” Read More
With a subject line like the title above, how could I not reply to the e-mail that recently came in from a “soon-to-be graduate” and how could I not turn my reply it into a blog? I have been sitting on this for awhile trying to figure out how to answer without turning into some cranky old man talking about the ”good old days.” Read More
In the first part of this series of blog entries, I wrote about recent ethics controversies spurred by student photographers going to places like Haiti in order to develop their skills and their portfolios, as they photograph the horror of that nation’s earthquake/disaster. I appreciate the ethical issues raised by such actions, but my overarching question was, and still is, how do aspiring conflict photographers develop the skills required for covering war/disaster? In this blog entry, I will talk about how I developed my own, limited skills in that area of photojournalism and what I learned in the process of gaining those skills. Read More
For the last few months I have been carrying around a copy of a commentary written by the National Geographic photographer, turned university professor, Steve Raymer. It appeared in the March, 2010 issue of the magazine, News Photographer (which is published by the National Press Photographer’s Association.) He talks about the photography of Haiti’s earthquake/disaster as well as the ethics of students going to places like Haiti in an attempt to develop their portfolios as they photograph that horror. All of this, and last week’s “bandh,” here in India, prompted me to tease out some of my own “war stories” and put them down in type. Read More
There are numerous aphorisms about what separates the serious/successful photographer from the amateurs/posers. Great quotes, such as: “Hobby photographers worry about equipment; Professional photographers worry about money; Master photographers worry about light” are already out there. In this blog entry, I propose to add one more to the list. Read More
An aspiring photographer wrote me: “What advice might you give me on how to find opportunities (no matter how small), where I might find some interest in my work, or how to best focus my efforts.” Such a question leaves me wary because answering it takes away from what little time I have left between earning a living as a photographer and nurturing this site. As I pondered how to answer him, I realized the answer was really another blog post in the making. Read More