Tag: editorial

  • Questioning the insider vs outsider perspective

    My wife and I presented our work to a group of photographers in New Delhi recently. We built our presentation around John Szarkowski’s idea that (broadly) photographs are either Mirrors and Windows (as in mirrors of the author or windows into other people, places or things.) It was of course fun. But it also got

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  • What to do with a valuable image for publication

    A question out of the blue came from a reader recently. It prompted me to start thinking about some important “what-ifs,” in terms of publication photography. Like many people who write me with questions, he had a less than fully developed question but he also knew that a fully developed answer could help him in

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  • If I were starting out now

    I am an old photographer, (duh!) That means I have been taking pictures seriously for a very long time (forty years to be exact in 2012.) It also suggests I have some kind of wisdom to offer young photographers, which may or may not be true. Arguably, the most common question I get from young

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  • An aspiring photographer wrote me…

    An aspiring photographer wrote me: “What advice might you give me on how to find opportunities (no matter how small), where I might find some interest in my work, or how to best focus my efforts.” Such a question leaves me wary because answering it takes away from what little time I have left between

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  • The New York Times Magazine drives a nail into its own coffin

    I am not normally one to commend another photographer’s downfall, but this week, an unusual situation occurred. Doubly so, because I have, as politicians say, “a dog in this fight.” So, I am in fact going to pile on with all the others condemning the deception by Portuguese photographer Edgar Martins.

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  • Pricing images for publications: Part Two

    In the last blog entry, I explored a scenario where you (or me) would need to calculate the use fee for an image to be used in a publication. I directed readers to a few useful resources for calculating that proposed licensee fee. Now, I want to offer a few thinking points that should be

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  • Pricing images for publications: Part One

    A friend/former student wrote me with a great question. He wrote: “I have an opportunity to license some images to a travel company for their brochures. I’ve never done this before and therefore I’d love to get your quick opinion of what the right price range should be. The email below is from the director

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  • What every photographer should know about model releases

    Model releases seem to be the source of more confusion than almost any other aspect of photography for aspiring (and established) professionals. I am asked about them during every class or presentation that I give. The irony is that model releases are remarkably simple.

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Welcome to the Wells Point

What exactly is The Wells Point? It is podcasts and free information for aspiring and accomplished photographers. These materials have been designed to stimulate your creativity and improve your craftsmanship.

The phrase the Wells Point also refers to an important tool to better appreciate how light, time of day and the resulting light’s direction can be utilized to immediately improve your photography.

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