Tag: media
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The hidden scandal in photojournalism’s award season
The award season for photojournalism is upon us, like the Oscars or the Grammies. Unlike in the cases of those televised awards, the commentary will not likely focus on who attended which awards ceremony with who as their date. Nor will their be much commentary on the costumes worn, since nearly all the competitors will
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Dish TV vs the Networks and our photographic future
Am I the only creative content producer relishing the fight between Dish Network and the major broadcast TV networks? While I like a good legal slug-fest between Goliaths as much as the next person, I also have a real stake in the outcome. The second-largest satellite TV provider in the United States, Dish has unleashed
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The end of the world as we know it
I have been blogging since August of 2008, initially twice a week and more recently once a week. I have learned a lot of different things in that process. I know myself much better as person, as a writer and as a photographer. I know the blogosphere much better and I know blogging itself much,
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What flash cards you use…
An advertising campaign that is currently running in many magazines is built around the tag line, “who insures you does not matter, until it does.” One ad shows a golfer on a course, calculating his putt, and in the background is an approaching alligator. The images are not that memorable and the campaign fails (in
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The failure of photography in tragedies beyond 9/11
For the last two weeks, I have been blogging about photography and the events of 9/11. First, I explored how the attacks have become something of a milestone marking major changes in the business and culture of photography. Then I pondered how those same events helped me understand my own process as a photographer. This
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Motion pictures vs stills
Like most people, I enjoy motion pictures (or movies.) Although I took a few classes in college on film history and film theory, I do not really know much about the media, other than what I like. Having said that, I have long had one eye on the movie business for a few reasons. First,
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Remakes in film and photography
Having studied history of photography in college, I am perfectly comfortable with the idea that many (most) of my photographs, to this day, are shaped, consciously or unconsciously, by the work of photographers I have previously seen. On the other hand, photographers rarely, if ever, do conscious remakes of the work of the predecessors, unlike
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Formulating the grammar, aesthetic and style of multi-media
During my recent time at the Maine Media Workshops there was much discussion about what is being called “convergence.” The idea is that in the future, still images, video and audio are going to converge into one common media. With nearly all communication moving to the world-wide-web, that logic is largely irrefutable. The works that
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Black and white vs Color (part three)
This is the final of three blog posts exploring the question of using color vs black and white in photography. To date, I have shared work that was intentionally made in color and later converted to black and white for comparison purposes. I also shared work that was made in color, but was intended to
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Black and white vs Color (part two)
In my last blog entry, I started exploring the question of black and white vs. color photographs. Specifically, I was talking about how a photographer should think clearly about the intentional choice of using one or the other for a given project. To get started, I suggested that readers look at a set of my