Tag: style
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Creativity and Solitude
Recently, two seemingly unrelated events occurred at about the same time. After a couple days of trying to figure out why my subconscious was connecting them, my conscious mind finally figured it out. It started when a friend sent me a great quote about creativity and solitude. I received it, and excitedly passed it on
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What I learned at the California Photo Festival
Last week, I was one of thirteen photographers teaching at the first annual California Photo Festival. The instructors brought a diverse range of styles to the temporary community of photographers that briefly sprung up near San Luis Obispo, California. As I flew West, I was very curious about how the mix of instructors (and photographic
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Defining my own place in photography
It is mid-September, which for me means the beginning of my working year. During the summer that just ended, like most recent summers, I certainly worked hard, but I also relaxed a good bit. So, now I am starting my busiest season of September to June. That is when I travel the most for work,
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Formulating the grammar, aesthetic and style of multi-media
During my recent time at the Maine Media Workshops there was much discussion about what is being called “convergence.” The idea is that in the future, still images, video and audio are going to converge into one common media. With nearly all communication moving to the world-wide-web, that logic is largely irrefutable. The works that
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Photography workshops as creative communities
I just finished teaching a great class in street photography. The students were lively, the locations we photographed were interesting and the creative community where I was teaching was incredibly stimulating. During the time I was working at the Maine Media Workshops, I dined with, talked to and saw the work of some of contemporary
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Musings on developing a style
I have been back in India for a few days after a week in Singapore. Returning reminds me how the chaos of India contrasts dramatically with the order of Singapore. As a street photographer, that same unruliness is one thing that makes India so compelling. On the other hand, as a person who thrives on
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The contracting of our collective visual culture
I make most of my living as a stock photographer. Stock photography is rapidly changing. Those changes have been impacting me (and my peers) for quite a while. So far you are thinking to yourself, none of this is big news. The news is that recently, the pace of that change hit a tipping point
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Critics and controversy
There is a new exhibition of the work of Henri Cartier-Bresson at New York City’s Museum of Modern Art. I look forward to seeing it in person in the near future. I have long been a fan of Cartier-Bresson’s work. His was some of the first important work I saw when I was studying the
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Onward and which way in the world of stock photography (part two of two)
Because I make my living primarily as a stock photographer I spend a great deal of time and energy trying to understand the “stock market.” (I am not referring to the one in New York City’s financial district.) Today, the market for and suppliers of stock photography cross the globe. So the more I know