In November of 2013, I took part in a lighting Workshop with Olympus Trailblazer, portrait and fashion photographer Victor Rodriguez, Jr., at the ArtsQuest Center at SteelStacks in Bethlehem, PA. During the three hour workshop, I gathered video clips, which I then made into this short, three minute video. Read More
Most professionals (and serious photographers) working digitally, shoot RAW files. They usually do so because of the incredible degree of control and the higher image quality that comes with RAW files. Being able to correct white balance after the fact is one of the many great things about RAW files. The worst thing about RAW files, in my mind, is what I call the ongoing proprietary RAW file wars. In this blog entry, I will talk about what you need to know to stay clear of the RAW format wars. Read More
For the last two weeks of December of 2010 and most of January of 2011, I was on the road for work, fun and family reasons. I learned a few new things—and reconfirmed a few old ones—while I worked in different parts of India and Vietnam, and spent some time in Singapore. Always the teacher, I was watching my own photographing process to see if there were any lessons worth sharing. One thing struck me as a potentially interesting lesson for any serious photographer. Read More
Someone recently asked for a “super basic lesson on flash” in, as they said, “one or two steps.” When I say flash, I mean supplementary light that is being used when documenting people, places or things as they are presented to you. I am NOT talking about studio work, where you can control the light and the subject. I am talking about when the photographer has to react to the subject and the light as they are given. Read More
In August of 2012, I traveled across the Indian state of Gujarat. As I went I gathered video clips, which I made into this short, four minute travelogue. Read More
I have blogged, lectured and argued for many years that a camera is nothing more than a tool that solves a given photographer’s problem. A camera brand is not a symbol of loyalty to one kind of photography, nor is it some kind of credential for membership in some kind of “club.” The sooner each photographer starts to figure out what their particular challenges are, and which camera works for them to resolve those challenges (regardless of brand), the sooner they will start making the kind of photographs they want. Recent experience has taught me that I need to start talking the same way about the laptop computers that photographers use for digital image processing. Read More
In March of 2013, I traveled across Northern India leading a photo workshop. As I went I gathered video clips, which I made into this short, three minute travelogue.
While I was experimenting with the Olympus Tough TG-2 I went a bit overboard in trying to see just how far I have moved past my previous concern in terms of “fearing for the camera’s safety.” What happened was I dreamed up the idea of videos made from weird angles via a rig I would make, putting the camera near the ground to show what it feels like to be riding my motorcycle, a Suzuki C-50, an 800cc Cruiser. In the end it all worked out fine but in between, I definitely had a few of those “do not try this at home” moments. Read More