Month: April 2010

  • Pictures, purges and process (part one)

    I recently wound up a series of blog entries exploring my experiences with and thoughts about technology. The non-technological process of spring-cleaning prompted all of these posts. In the process of that cleaning (or more accurately my massive archival purge,) I looked at thousands and thousands of my old images. Some scared me, some impressed

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  • Technologies, necessary and otherwise (part three)

    This is the last of three blog entries, for the moment, exploring my thoughts on technology. The entire set came from things swirling through my head lately. Events, especially e-mails, prompted me to organize those thoughts into the first two e-mails. This entry explores the starting point for all three posts, which was the fairly

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  • Technologies, necessary and otherwise (part two)

    Earlier this week, I blogged about GPS technology and how one photographer, Lowell, had found a great use for that particular technology, one that does not interest me in the least. Another photographer, Michael, recently wrote me about another technological question he had issues with. I know now how he and I deal with the

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  • Yosemite, spring (a video)

    This podcast takes you to Yosemite National Park in California, to explore one aspect of the spring season, in one of the first wilderness parks in the United States that is best known for its waterfalls

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  • Technologies, necessary and otherwise (part one)

    I recently blogged about what I think of as the four questions each photographer should ask themselves. The fourth, and newest question was “What technology/software/camera gear will keep me focused on what I do best…?” The idea was that we are so overwhelmed with new digital imaging technology offerings that sometimes it’s hard to see

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  • How do you critique photographs?

    How do you become a better photographer? That’s the big question isn’t it? In my experience, the best way is to take a lot of pictures and then get serious feedback on those same photos. (The second best way is to look at the work of other photographers.) With that in mind, then how exactly

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  • Critics and controversy

    There is a new exhibition of the work of Henri Cartier-Bresson at New York City’s Museum of Modern Art. I look forward to seeing it in person in the near future. I have long been a fan of Cartier-Bresson’s work. His was some of the first important work I saw when I was studying the

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  • Surviving “Hell Week” in fine-art photography

    The phrase “Hell Week” refers to a number of similar rituals, among them the initial time of hazing in college fraternities, the most rigorous component of the United States Navy SEAL training program, a police academy’s most rigorous training regimen, the technical week of theatre rehearsals or the most common usage, the week of intensive

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  • The inspiration for an image (a video)

    The podcast walks you through the process as I have an idea for a photograph, think it through, take some pictures, look at what I have done and keep working on it till the photograph has just the feeling I want it to have.

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  • Out of the eyes of babes

    About a month ago, my teenage daughter saw the new, sleek Olympus camera (the E-P1) that I have been using lately. She said she wanted to try it out. I was not sure if she was motivated by purely adolescent curiosity or her generation’s obsession with the newest, latest thing. I do know that although

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Welcome to the Wells Point

What exactly is The Wells Point? It is podcasts and free information for aspiring and accomplished photographers. These materials have been designed to stimulate your creativity and improve your craftsmanship.

The phrase the Wells Point also refers to an important tool to better appreciate how light, time of day and the resulting light’s direction can be utilized to immediately improve your photography.

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