Month: March 2011

In the eye of the beholder

As photographers we all make images, (duh.) By making and sharing those images, we also shape how others perceive the subjects that we photograph. I was thinking about this over the last few months as I was traveling in the U.S.A and around Asia, (where I am writing from.) While I was in New York City, particularly Times Square, I crystallized my ideas into this blog entry. I am starting to understand (and worry about) the ongoing cycle of how images become part of our perception, which further shapes the next imagery, which shapes the subsequent perception. Read More

Remakes in film and photography

Having studied history of photography in college, I am perfectly comfortable with the idea that many (most) of my photographs, to this day, are shaped, consciously or unconsciously, by the work of photographers I have previously seen. On the other hand, photographers rarely, if ever, do conscious remakes of the work of the predecessors, unlike musicians who are known for “covering” or performing the work of their predecessors. Filmmakers are perfectly comfortable doing remakes. The new movie, True Grit, is just the latest example of artists revisiting a story and reinterpreting that in their own way. I recently encountered a couple prize-winning photo projects that were remakes of sorts, which resonated very strongly with a project I did twenty-eight years ago. Read More

Surviving and Thriving as a Professional Photographer

In last week’s blog explored how I came understand and even embrace a couple guiding ideas about making a living as a photographer. The first of those is to accept (or even ideally embrace) the fact that what I do as a professional photographer exists within an ever changing, constantly shifting framework. Change is a constant and so I simply have to accept that. The second insight is that, for me, institutional affiliations, external validations of my skills and conventional certifications are not that much use in my own photography. That works for me. It may not be the same for other. With those two ideas in mind, this week I will offer some thinking points for any professional photographer (or professional photographer in the making) who is looking at the current business of photography and asking themselves, where can I fit in? Read More

Should I become a Certified Professional Photographer

I have worked in and around photography almost my entire working life. I took a few short detours away from my beloved medium, but those went nowhere fast. A recent email prompted me to look back over my career for insights to share with the photographer who wrote me. Looking back, I noted two important trends, lessons I wish I knew way back when I was starting out, but I did not. I am heartened by the thought that at least I can explore and explain those ideas now, for others to learn from. Read More

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What exactly is The Wells Point? It is podcasts and free information for aspiring and accomplished photographers. These materials have been designed to stimulate your creativity and improve your craftsmanship.

The phrase the Wells Point also refers to an important tool to better appreciate how light, time of day and the resulting light's direction can be utilized to immediately improve your photography.

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