Tag: personal

Finland? Finland!

I spent the first two weeks of June teaching a photo-essay class to university students in Finland. When I started the class, I was worried if it would go well. I have a hard time working with college students, since most of them don’t want to speak out in class, out of fear of “sticking out from the crowd.” Since those same students were Finnish, a notoriously shy people, it had all the makings of a train wreck. I am thrilled to say it turned out much better than I expected. Read More

Why go pro

In a recent blog, I wrote about my experience presenting my work to a group of photographers in New Delhi (India.) I was particularly interested in figuring out which concerns are unique to Indian photographers and which are universal among photographers. This week, I am thinking about a universal question I get no matter where in the world speak, which is “how do I become a professional photographer.” Pondering that question among Indians made me wonder if something about their experience, their culture and their economy might spur a uniquely Indian answer. Read More

What 9/11 did NOT change in my photography

Last week I blogged about how the terrible events of 9/11/01 changed photography. (Or maybe more accurately, how the photography that came out of that day highlighted the changes in the culture of photography that were just picking up speed at that moment.) That essay was written from the perspective of a blogger first and a photographer second. This week I approach the same topic the other way, as a photographer first and a blogger second. Read More

Sharing photo essay ideas

I just finished teaching a series of photography workshops in Asia, including my favorite photo-essay class. In that workshop, students initially practice the skills required for a long-term photo-essay AND then they start working on the project of their choosing. I show them how the hardest part of a good essay is defining the project. I was reminded in Singapore how a good workshop group, one that is willing to share ideas, can make that process of defining a project much easier. Just as this was happening, I was also having an e-mail exchange with an American photographer, who seemed concerned about keeping his project idea to himself. I am still trying to figure out if the diverging thinking on sharing ideas was an aberration, or if it tells us something about the difference between Singaporean and American mindsets. Read More

Photography workshops as creative communities

I just finished teaching a great class in street photography. The students were lively, the locations we photographed were interesting and the creative community where I was teaching was incredibly stimulating. During the time I was working at the Maine Media Workshops, I dined with, talked to and saw the work of some of contemporary photography’s masters. In the class I was teaching, there were people who had the potential to be the next generation of photography’s masters. On the way home from Maine, we stopped in to see an old friend, a former assistant who I had worked with years ago at the Workshops. It was eight great days immersed deeply in the community of people who love photography. It got me thinking….. Read More

Onward and which way in the world of stock photography (part two of two)

Because I make my living primarily as a stock photographer I spend a great deal of time and energy trying to understand the “stock market.” (I am not referring to the one in New York City’s financial district.) Today, the market for and suppliers of stock photography cross the globe. So the more I know about the business, the more successful I will be within that growing global market. In the first part of this two-part blog entry I wrote about which of my own images seem to work better and why. Now I am writing about other concerns that any stock photographer (practicing or aspiring) should think about. Read More

Onward and which way in the world of stock photography (part one of two)

I make my living primarily as a stock photographer meaning most of my income comes from licensing the publication of existing images. This is compared to being primarily an assignment photographer or a teacher of photography (though I do plenty of both.) The stock photography business is known to be increasingly competitive, with too much supply and not enough demand, the classic signs of a declining market. A few recent experiences served to remind me which parts of the market for stock photography are still doing reasonably well and why! Read More

Welcome to the Wells Point

What exactly is The Wells Point? It is podcasts and free information for aspiring and accomplished photographers. These materials have been designed to stimulate your creativity and improve your craftsmanship.

The phrase the Wells Point also refers to an important tool to better appreciate how light, time of day and the resulting light's direction can be utilized to immediately improve your photography.

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